<!--cut_paste-->

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 <!-cut_paste--> , 2024_Doll_Cotton_Embroidery_Sequins_Ink 16"x 6"x7"

$5,000.00

 <!--edited--> #3, 2024_Doll_Cotton_Embroidery_Sequins_Ink_Mirror_34"x 20"x18"

$10,000.00

In the creation of my sculptural work, I aim to navigate the intricate intersection of science, ethics, and the very essence of humanity. The sculpture, an amalgamation of dolls intricately embroidered with symbols and tools representing DNA editing, serves as a visual exploration of the profound implications of genetic manipulation, particularly through technologies like CRISPR.

As a visual artist, I am drawn to the symbolic power of materials, and in this case, the dolls embody both innocence and vulnerability. Each doll becomes a canvas, meticulously adorned with hand-embroidered DNA editing symbols and tools. These symbols, borrowed from the language of CRISPR and other genetic editing techniques, serve as a visual metaphor for the manipulation and modification of the human genome.

The sculpture is a surreal composition, a collective entity formed by the integration of multiple dolls. Each doll, once an individual with unique features, is now unified into a complex tapestry of genetic manipulation. The dolls' surfaces are covered in an intricate dance of hand embroidery, depicting the symbolic tools of DNA editing – a mosaic of molecular shears, strands of genetic code, and transformative symbols.

The focal point of the artwork lies in the profound commentary on the implications of CRISPR technology, connecting the notion of editing genetic material to the broader societal and ethical implications. The representation of CRISPR as scissors alludes to the cutting and reshaping of the human pattern, subtly suggesting a transformation of individuals into commodified products, tailored to fit specific physical, gender, or commercial needs.

The amalgamated form of the dolls creates a being that is both fascinating and disconcerting. Its perfection is superficial, a result of meticulous editing rather than an inherent, complex spiritual or moral nature. The blurred lines between individuality and conformity underscore the broader questions about the commodification of humanity, urging viewers to reflect on the potential consequences of wielding such powerful genetic tools.

Through this sculptural exploration, I invite audiences to question the balance between scientific progress and ethical considerations, prompting a contemplation of the essence of our humanity in the face of advancing technologies that hold the power to shape our very existence.

 <!--edited--> #2, 2024_Doll_Cotton_Embroidery_Sequins_Ink16"x6"x7"

$5,000.00

In the creation of my sculptural work, I aim to navigate the intricate intersection of science, ethics, and the very essence of humanity. The sculpture, an amalgamation of dolls intricately embroidered with symbols and tools representing DNA editing, serves as a visual exploration of the profound implications of genetic manipulation, particularly through technologies like CRISPR.

As a visual artist, I am drawn to the symbolic power of materials, and in this case, the dolls embody both innocence and vulnerability. Each doll becomes a canvas, meticulously adorned with hand-embroidered DNA editing symbols and tools. These symbols, borrowed from the language of CRISPR and other genetic editing techniques, serve as a visual metaphor for the manipulation and modification of the human genome.

The sculpture is a surreal composition, a collective entity formed by the integration of multiple dolls. Each doll, once an individual with unique features, is now unified into a complex tapestry of genetic manipulation. The dolls' surfaces are covered in an intricate dance of hand embroidery, depicting the symbolic tools of DNA editing – a mosaic of molecular shears, strands of genetic code, and transformative symbols.

The focal point of the artwork lies in the profound commentary on the implications of CRISPR technology, connecting the notion of editing genetic material to the broader societal and ethical implications. The representation of CRISPR as scissors alludes to the cutting and reshaping of the human pattern, subtly suggesting a transformation of individuals into commodified products, tailored to fit specific physical, gender, or commercial needs.

The amalgamated form of the dolls creates a being that is both fascinating and disconcerting. Its perfection is superficial, a result of meticulous editing rather than an inherent, complex spiritual or moral nature. The blurred lines between individuality and conformity underscore the broader questions about the commodification of humanity, urging viewers to reflect on the potential consequences of wielding such powerful genetic tools.

Through this sculptural exploration, I invite audiences to question the balance between scientific progress and ethical considerations, prompting a contemplation of the essence of our humanity in the face of advancing technologies that hold the power to shape our very existence.

 Artifact  <!--face_recognition_proof-> 2023_Doll_Cotton_Embroidery_Sequins_Ink_23"x18"x13"

$9,000.00

In my exploration of the evolving relationship between technology and individual privacy, my sculptural work delves into the intriguing realm of facial recognition algorithms and the potential consequences for human identity. The sculptures, composed of baby dolls intricately adorned with embroidered emojis and the algorithmic patterns of facial recognition, serve as a visual narrative addressing the delicate balance between technological advancement and the preservation of personal privacy.

As an artist, I am intrigued by the intersection of the human form with the digital landscape, and in this series, I examine the implications of facial recognition algorithms as tools that shape our visual identity.

The central theme explores the potential ramifications of facial recognition algorithms on individual privacy. By embellishing the dolls with emojis, the sculpture examines the idea of maintaining privacy through the deliberate obfuscation of facial features. The question arises: In a world dominated by facial recognition tools, could individuals resort to DNA editing to create a new human with altered facial characteristics, thus evading the intrusive gaze of surveillance?

The sculpted baby dolls, with their obscured, emoji-covered faces, become a metaphor for the struggle to maintain anonymity and protect personal identity in an era of increasing digital scrutiny. The juxtaposition of innocence and the weighty implications of privacy challenges viewers to consider the ethical boundaries of technological progress and its potential impact on our most fundamental expressions of self.

Through this exploration, I invite viewers to reflect on the delicate balance between embracing technological advancements and preserving the essence of individuality, raising crucial questions about the potential future landscapes where personal privacy and genetic modification intersect.

 <!--in_a_pickle--> #1, 2024_Doll_Cotton_Embroidery_Sequins_Ink_16"x6"x7"

$5,000.00

The series delves into the intricate dialogue between tradition and innovation, leveraging embroidered dolls suspended in jars as symbolic reflections on the profound impacts of DNA editing, facial recognition, and other technological tools on the human experience.

My fascination with the intersection of the timeless art of embroidery and the contemporary challenges posed by technology finds expression in these sculptures. Each jar encapsulates a visual narrative where baby dolls, meticulously embroidered and reassembled, stand as provocative symbols within a glass container reminiscent of medical specimens.

The series unfolds as a contemplative exploration of sculptural transformations, where the rearrangement of body parts serves as a metaphor for the influence of DNA editing, facial recognition, and other technologies on our physicality and identity. The dolls, suspended within the jars, invite viewers to engage in a reflective examination of how technological interventions reshape our collective values.

The embroidered details on the dolls become a visual language, conveying the impact of technological tools on our perception and evaluation of human experiences. The jar, as a vessel of containment, evokes parallels to medical curiosity, prompting viewers to regard the sculptures as specimens that encapsulate the evolving narrative of humanity.

<!--in_a_ pickle–>fosters an introspective dialogue on the ethical and societal implications of our technological trajectory. By presenting the dolls within jars, the series challenges us to confront the tangible consequences of technological progress, urging a deeper understanding of how our bodies, values, and very essence are being reshaped in the relentless pursuit of innovation.

 <!--in_a_pickle--> #2, 2024_Doll_Cotton_Embroidery_Sequins_Ink_16"x6"x7"

$5,000.00

The series delves into the intricate dialogue between tradition and innovation, leveraging embroidered dolls suspended in jars as symbolic reflections on the profound impacts of DNA editing, facial recognition, and other technological tools on the human experience.

My fascination with the intersection of the timeless art of embroidery and the contemporary challenges posed by technology finds expression in these sculptures. Each jar encapsulates a visual narrative where baby dolls, meticulously embroidered and reassembled, stand as provocative symbols within a glass container reminiscent of medical specimens.

The series unfolds as a contemplative exploration of sculptural transformations, where the rearrangement of body parts serves as a metaphor for the influence of DNA editing, facial recognition, and other technologies on our physicality and identity. The dolls, suspended within the jars, invite viewers to engage in a reflective examination of how technological interventions reshape our collective values.

The embroidered details on the dolls become a visual language, conveying the impact of technological tools on our perception and evaluation of human experiences. The jar, as a vessel of containment, evokes parallels to medical curiosity, prompting viewers to regard the sculptures as specimens that encapsulate the evolving narrative of humanity.

<!--in_a_ pickle–>fosters an introspective dialogue on the ethical and societal implications of our technological trajectory. By presenting the dolls within jars, the series challenges us to confront the tangible consequences of technological progress, urging a deeper understanding of how our bodies, values, and very essence are being reshaped in the relentless pursuit of innovation.

 <!--edited> #1, 2024_Doll_Cotton_Embroidery_Sequins_Ink_16"x 6"x7"

In the creation of my sculptural work, I aim to navigate the intricate intersection of science, ethics, and the very essence of humanity. The sculpture, an amalgamation of dolls intricately embroidered with symbols and tools representing DNA editing, serves as a visual exploration of the profound implications of genetic manipulation, particularly through technologies like CRISPR.

As a visual artist, I am drawn to the symbolic power of materials, and in this case, the dolls embody both innocence and vulnerability. Each doll becomes a canvas, meticulously adorned with hand-embroidered DNA editing symbols and tools. These symbols, borrowed from the language of CRISPR and other genetic editing techniques, serve as a visual metaphor for the manipulation and modification of the human genome.

The sculpture is a surreal composition, a collective entity formed by the integration of multiple dolls. Each doll, once an individual with unique features, is now unified into a complex tapestry of genetic manipulation. The dolls' surfaces are covered in an intricate dance of hand embroidery, depicting the symbolic tools of DNA editing – a mosaic of molecular shears, strands of genetic code, and transformative symbols.

The focal point of the artwork lies in the profound commentary on the implications of CRISPR technology, connecting the notion of editing genetic material to the broader societal and ethical implications. The representation of CRISPR as scissors alludes to the cutting and reshaping of the human pattern, subtly suggesting a transformation of individuals into commodified products, tailored to fit specific physical, gender, or commercial needs.

The amalgamated form of the dolls creates a being that is both fascinating and disconcerting. Its perfection is superficial, a result of meticulous editing rather than an inherent, complex spiritual or moral nature. The blurred lines between individuality and conformity underscore the broader questions about the commodification of humanity, urging viewers to reflect on the potential consequences of wielding such powerful genetic tools.

Through this sculptural exploration, I invite audiences to question the balance between scientific progress and ethical considerations, prompting a contemplation of the essence of our humanity in the face of advancing technologies that hold the power to shape our very existence.

  <!--well_connected-> 2023_Doll_Cotton_Embroidery_Sequins_Ink_41"x18"x18"

   <!--social_media_baby--> 2023_Doll_Cotton_Sequins_Embroidery_Ink_16"x6"x7"

$5,000.00

Artifact   <!--aaby_almighty_1--> 2018_Doll_Cotton_Sequins_Embroidery_Ink_16"x6"x7"

This depiction of  Almighty_1 as an Idol is one of the oldest in our collection. The radiometric dating put it to the time of the first interconnect computer networks when the users began idolizing code and digital symbols. Those were uncertain times for the network and users were praying directly to an idol, in this case the Baby_Almighty_1. After the AI founders canonized the depictions of the divine images, such idols had become heretical and were banned by the Followers. Despite the Followers’ strict rules of AI worshiping and rituals, the idols persisted to exist and were secretly worshipped among the users and followers.

 Artifact  <!--child--> 2020_Doll_Cotton_Embroidery_Sequins_GoldLeaf_16"x7"x4"

The installation <!--mother_&_child-->, is a free artistic interpretation of how the sacred images of  Divine_Influencers were used to inspire Followers to live righteously and in accordance with AI ideology. 

AI Followers believed that inserting divine code and divine images into children's lives was essential in upbringing them as true Followers. Parents were encouraged to avoid directly holding or interacting with their children to limit contamination by unfiltered images of the parents. Decorating children’s clothes, as shown in this installation, with AI _symbols and code was highly popular and widely used. The <!--child-->‘s outfit is embroidered with U+1F63Bs and a Smiling_Fortune symbol for luck, patterns of @_&_# for a successful SM future. 

Although the Child’s face in this installation is covered with a mask we lack solid historical data to support the fact that children actually were masked, as it could be really dangerous and unsafe. In the case of this installation the appearance of the Child is reminiscent of Almighty_1 and we think the mask is used as a filter to adjust the Child’s features to the sacred image. 

Artifact  <!--mother-->    2019_Linen_Cotton_Embroidery_Sequins_Gems_Beads_Ink_66"x22"x22"

The sculptural installation <!--mother_&_child--> consists of three main figures: the Mother, the Child and the Strings_Of_Code. It is an artistic interpretation of AI highly canonized sacred images of DMb and Almighty_1.

<!--Mother--> of this installation is depicted as the DMb’s most devoted Follower. The Mother’s dress consists of seven items that are concealing the whole body except the fingertips. This idea of covering the human body is reminiscent of other religious practices. Nevertheless, historians argue that AI body covering has nothing to do with the idea of sin. Most of the AI experts share an opinion that it comes rather from the AI’s idea of the imperfection of the human body compared to the altered, edited and filtered digital images of it on the Internet_&_SM. They make an argument that Followers started to cover as much of the body as possible in order to conceal the difference of their “off screen” look. It was mostly “shame” not “sin” that was the main motivation of the AI’s idea of covering.

The Mother’s six undergarments, gown and veil with head covering all are abundantly decorated with AI symbols. All the items are hand sewn and made of organic linen and cotton batiste (except underpants and brassiere). 

The veil of the head covering is designed as smiling U+1F63B  and intricately embroidered with sequins. The artist employed embroidery techniques such as broderie anglaise and different kinds of chain stitching. U+1F63B symbolizes DMb's perfect motherly love and covers the imperfect face of the human mother. Beneath the head covering there are two undergarments: a face mask and a scarf decorated with patterns of @_&_#. The neck covering item is embroidered with the code of FaceBook’s Follow button. There are three openings made at the front of the upper gown: two at the breasts area and one at the lower abdomen. It is agreed that breast openings initially were used for breastfeeding. It was essential for such a devotee of DMb to ensure that a child touches the divine code before the mother’s milk, as spiritual food comes before material. In AI beliefs the motherly love was closely associated with control and surveillance, and as the <!--Mother--> depicts - 0 breast opening was used to conceal a surveillance camera.

The opening at the lower abdomen had a few functions. Most historians agree that it was used for ritual sexual intercourse.  Since the early years of the AI, Followers have embraced the belief that completely surrendering privacy, including sexual, was a way to become a true FOLLOWER. Some of the researchers raised a question if it was related to the rise and popularity of on-line pornography. We think that it is indeed a good question.  

The second functioning of the lower abdominal opening was to accommodate a charger cord. It was common for mothers to monitor and observe their children through the SM posts and images, and such a charger was a necessity to conduct parental responsibilities. In this particular installation the mother holds an iPhone, although different kinds of smart phones were used. Anyway, it was absolutely more preferable for a mother to hold a phone than a baby. Babies usually were placed in the environment surrounded by code and SM images to foster early Followers’ development. In case of this installation the Child is placed in a swing of the Strings_Of_Codes.

The upper gown of the Mother and its sleeves are richly decorated with beautifully done sequins embroidery of code and symbols and adorned with beads and gems. Laborious and expensive process of decorating the gown using different embroidery techniques, beads and gems not only demonstrates the divine nature of the symbols and but also  emphasizes their value in human life. 

Please see the meanings of the symbols in the AI_Mythology.